the winogrand in me

the man on the deck

it’s been almost 2 years since our trip to schiermonnikoog, a dutch island on the northern sea.

a mix of laziness, lack of budget or decent photography shops made me lose interest in developing the film i shot in the island back then. i was curious to see the pictures, but while i still had the memory of the events i shot, and all the people with me… there was no real need to “see” them again… (i guess i’ll never understand the people that peek at the pictures when they’ve just taken them, on the backscreen of digital cameras). so i let the film stay in the shelf.

i have quite a few of these “forgotten” films. they have travelled all the way to the netherlands and back, to the states and back, and now here they are in china. they’re stored in identical canisters, with no reference to what’s in each one of them. little pandora boxes, with with unknown age or stories.

to me, photography is not about rules, big lenses and trendy bags, keeping negatives in the fridge and looking out for x-rays on the airport. it’s about fun and framing. i shoot when i feel inspired, when friends are around, when i feel like being a tourist, when there are not many cameras in the area. i develop when i have the time, the patience, or whenever i itch to discover what forgotten secrets are hiding in one of those black canisters. what about you? do you develop your films right away, or not so much? do you peek on the back screen of your digital camera? :)

more, on flickr.

* bonus: two weeks with garry winogrand, by mason resnic. garry winogrand was a prolific photographer who died on 1984, leaving a total of 12000 rolls of film that he never looked at. peculiar philosophy.


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