we’re slowly working our way through a big “berlin movie list”, discovering a number of movies that portrait berlin in its different eras. they set the atmosphere to the places we visit and the books we read. we recognise the streets and sidewalks, the façades, the monuments, and even the everyday objects that we now see elevated to relics in flea markets across town… it’s quite magical.

in ljubljana we were lucky to find to so gadi, which takes place in the same houses we lived in. but in berlin, it feels like the whole city is a movie set.

any movies you’d like to recommend?

we’ve seen ‘the cave of the yellow dog‘ after joana’s recommendation, and loved every minute of it. mongolia is beautiful, and if we ever end up there someday in the distant future, i think we’ll be able to trace that decision back to this movie.

and we want to see somewhere, sofia coppola’s newest film. i really like the trailer, and this song… i can’t get it out of my head!

and now that we’re out of the house searching loop, i can finally breathe better. we got a slovenian phone number, called dozens of landlords and real estates, saw quite a few houses and ended up scoring a little apartment that we can just barely spot on some of the city’s postcards. :) right now, our fridge magnets are holding our favorite polaroids, there are maps on the walls, the table is a mess of postcards and notebooks and there is a cat (i don’t know who the owner is, but he likes belly rubs) sleeping on our patio chairs. it feels like home.

as a reward (or perhaps because of my persistent nagging), we went to see new moon on the cinema, yesterday. the room was filled with giggly teenagers, who clapped during the kissing parts and sighed loudly on the sight of their favorite shirtless character (vampire or werewolf), but all in all, i had a nice time. to me, new moon felt much more coherent with the books than twilight did and so the whole story felt familiar, matching what i had imagined when i read it. i can see why people dislike it, especially if viewed as a standalone movie, which it is not meant to be…

…frankly, i can’t wait for eclipse! :)

“onde nasceu fernão mendes pinto?
jorge de montemor onde nasceu?
a mesma terra o mesmo céu que eu pinto
castelo velho o que foi deles é meu”
- afonso duarte

“where was fernão mendes pinto born?
jorge de montemor, where was he born?
the same earth, the same sky that i paint
old castle what was theirs is mine”
- afonso duarte

last tuesday, driving slowly between figueira da foz and coimbra, we came across the castle of montemor-o-velho, proudly standing on top of a small hill. we had no big agenda for the day, other than picking up the cats at midnight in lisbon, so we stopped a while to explore.

the castle was first heard of in medieval times (before the country of portugal was born), and it was successively conquered by christians and arabs and even by napoleon troops. in 1910, it was declared national monument, along with “igreja de santa maria da alcáçova”, a church within the castle walls.

the views from up there are stunning, green fields all around the castle walls and many squares of rice plantations (and some storks too) due to the proximity of the mondego river.


while the castle walls and premises are in reasonably good shape (the paths are clean and the lawns are taken care of, there’s even a little café up there) you can’t really say the same about the church. the frescos and statues could really use a hand. what battles are they trying to tell us about?

other details seem to have stood the test of time a bit better: there are beautiful tiles decorating the walls, writings and a few gravestones on the church floor.


the entrance is free and on the day we were there, there was no soul on sight. a whole castle to yourself, how about that? :)

BONO: Your desire for Europe is extraordinary to me, but you’ve followed through on it. I mean, is this where the languages come in? Did you learn French and German at school?

EDDIE: I learnt French at school but stopped when I was 16. When I first visited France, I’d go into a bar or restaurant and say, “Qu’est-ce que ils?”. I’d just keep going with my broken French. My rule was, communication first, grammar second.

BONO: I’m amazed that you can do stand-up in French.

EDDIE: Absolutely. My dream is for Europe to become a huge melting-pot. We need to be a melting-pot. We need to melt. So my doing a gig in French is to kick the melting-pot up. I want to do gigs in German, Russian, Spanish. And Arabic, because I was born in an Arabic country and the 9/11 thing.

BONO: Do you consider yourself European?

EDDIE: I consider myself British-European, like there are African- Americans and Italian- Americans. You can be Irish-European. Whether you’re Northern or Southern Irish, there’s this umbrella of Europeanness. I think if we can make it work in Europe, it’s almost a blueprint for the future of the world. If we can get all these countries, with all their languages, coming together to work in some shape or form, then the whole world can work. And if we can’t get it working in Europe, the world has got no chance. Those are the stakes.

from an interview with eddie izzard to the independent. the man has a brilliant comedy style that we can’t seem to get enough of – plus, a political conscience, and a love for researching stuff on wikipedia. if you go beyond the death star canteen lego sketches on youtube, you’ll find a peculiar comedian, worth exploring.

photo by davemorris on flickr.